Charlie Chaplin's 56th Film Released Oct 02 1916. The Pawnshop was Charlie Chaplin's sixth film for Mutual Film Company. Chaplin played the role of assistant to the pawnshop owner. Henry Bergman played the owner and Edna Purviance the owner's daughter. Albert Austin played an alarm clock owner who watches Charlie in dismay as he checks out the clock. This was one of Chaplin's more popular Mutual Films, mainly for the slapstick comedy he was famous for at the time. http://www.imdb.com/title/tt0007162/

Charlie Chaplin In The Internet Archive
http://www.archive.org/details/CC_1914_02_02_MakingALiving
http://www.archive.org/details/CC_1914_02_07_KidsAutoRaceAtVenice
http://www.archive.org/details/CC_1914_02_09_MabelsStrangePredicament
http://www.archive.org/details/CC_1914_02_28_BetweenShowers
http://www.archive.org/details/CC_1914_03_02_FilmJohnny
http://www.archive.org/details/CC_1914_03_16_HisFavoritePasttime
http://www.archive.org/details/CC_1914_03_26_CruelCruelLove
http://www.archive.org/details/CC_1914_04_04_TheLandladysPet
http://www.archive.org/details/CC_1914_04_20_TwentyMinutesofLove
http://www.archive.org/details/CC_1914_04_27_CaughtinaCaberet
http://www.archive.org/details/CC_1914_05_07_ABusyDay
http://www.archive.org/details/CC_1914_06_01_TheFatalMallet
http://www.archive.org/details/CC_1914_06_11_TheKnockout
http://www.archive.org/details/CC_1914_06_13_MabelsBusyDay
http://www.archive.org/details/CC_1914_06_20_CharlottEtLeMannequin
http://www.archive.org/details/CC_1914_07_09_LaffingGas
http://www.archive.org/details/CC_1914_08_01_CharolotGargonDeTheater
http://www.archive.org/details/CC_1914_08_10_FaceOnTheBarroomFloor
http://www.archive.org/details/CC_1914_08_13_CharliesRecreation
http://www.archive.org/details/CC_1914_08_27_TheMasquerader
http://www.archive.org/details/CC_1914_08_31_TheGoodforNothing
http://www.archive.org/details/CC_1914_09_07_TheRounders
http://www.archive.org/details/CC_1914_09_14_TheNewJanitor
http://www.archive.org/details/CC_1914_10_10_TheRivalMashers
http://www.archive.org/details/CC_1914_10_26_DoughandDynamite
http://www.archive.org/details/CC_1914_10_29_CharlottMabelAuxCourses
http://www.archive.org/details/CC_1914_11_14_TilliesPuncturedRomance
http://www.archive.org/details/CC_1914_11_07_MusicalTramps
http://www.archive.org/details/CC_1914_11_09_HisTrystingPlace
http://www.archive.org/details/CC_1914_12_05_AFairExchange
http://www.archive.org/details/CC_1914_12_07_HisPrehistoricpast
http://www.archive.org/details/CC_1915_02_01_HisNewJob
http://www.archive.org/details/CC_1915_02_15_ANightOut
http://www.archive.org/details/CC_1915_03_01_TheChampion
http://www.archive.org/details/CC_1915_03_18_InThePark
http://www.archive.org/details/CC_1915_04_11_TheTramp
http://www.archive.org/details/CC_1915_04_29_ByTheSea
http://www.archive.org/details/CC_1915_06_21_Work
http://www.archive.org/details/CC_1915_07_12_AWoman
http://www.archive.org/details/CC_1915_08_09_TheBank
http://www.archive.org/details/CC_1915_10_04_CharlieShanghaied
http://www.archive.org/details/CC_1915_11_20_ANightInTheShow
http://www.archive.org/details/CC_1915_12_18_ABurlesqueOnCarmen
http://www.archive.org/details/CC_1916_05_15_TheFloorwalker
http://www.archive.org/details/CC_1916_05_27_Police
http://www.archive.org/details/CC_1916_06_12_TheFireman
http://www.archive.org/details/CC_1916_07_10_TheVagabond
http://www.archive.org/details/CC_1916_08_07_One_A_M
http://www.archive.org/details/CC_1916_09_04_TheCount
http://www.archive.org/details/CC_1916_10_02_ThePawnshop
http://www.archive.org/details/CC_1916_11_13_BehindtheScreen
http://www.archive.org/details/CC_1916_12_04_TheRink
http://www.archive.org/details/CC_1917_04_16_TheCure
http://www.archive.org/details/CC_1917_06_17_TheImmigrant
http://www.archive.org/details/CC_1917_10_22_TheAdventurer
http://www.archive.org/details/CC_1918_09_29_TheBond
http://www.archive.org/details/CC_1918_10_20_ShoulderArms
http://www.archive.org/details/CC_1918_xx_xx_TripleTrouble
http://www.archive.org/details/CC_1919_06_15_Sunnyside
http://www.archive.org/details/CC_1919_12_15_ADaysPleasure
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